Delicate, salmon-hued and quietly celebratory, it recalls long Parisian afternoons when everything still felt possible. A trace of melancholy in the finish suits what comes later.
Chalky, clean and ever so slightly austere, like oysters at a café table on the Left Bank. It carries the book's luminous restraint.
Hadley Richardson narrates her marriage to young Hemingway amid 1920s Paris cafés and slow-fraying devotion. Romantic and rueful in equal measure.
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